DYCP PORTFOLIO

ASCENSÜS. 2022.

ASCENSÜS IS A PRODUCT OF A DREAM-LIKE NARRATIVE OF QUEER PEOPLE ESCAPING EARTH AND SEEKING ASYLUM ON PLUTOPIA, AN INCLUSIVE SPACE VOID OF HETERONORMATIVE BIASES.

THE WORK PORTRAYS THE CONTRACTING LIMINAL SPACE BETWEEN BIRTH AND DEATH AS WELL AS THE COMING TOGETHER OF THE ‘CURRENT SELF’ AND THE ‘POTENTIAL SELF’. THE ONE-PERSON SPACESHIP IS FILLED WITH QUEER RELATED ARTIFACTS AND ARTWORK FROM MEMBERS OF THE LGBTQIA+ COMMUNITY AS WELL AS FROM THE ARTIST THEMSELVES.

DESCRIBING HOW THE ROAD TO SELF-DISCOVERY MAY NOT BE AS LONELY AS ONCE ANTICIPATED, MIRRORING THE ENDLESS JOURNEY TO REACH PLUTOPIA.

A COMMENTARY OF AND EXTENSION TO HAL FISCHER’S WORK ON GAY SEMIOTICS, RYAN ASBURY’S ONGOING PROJECT PROVIDES A CONTEMPORARY VIEW OF FETISHISED ACTIVITIES, AND THE OBJECTS ASSOCIATED WITH THEM. ORIGINALLY PUBLISHED IN 1977 ‘GAY SEMIOTICS’ DETAIL TYPES OF SEMIOTIC MODES COMMONLY USED AT THE TIME IN BOTH EVERY DAY AND KINK COMMUNITIES. INSPIRED BY FISCHER’S CLINICAL APPROACH IN HIS PHOTOGRAPHY, ‘EROS’ DECONSTRUCTS THE BINARY OF THE SUB / DOM RELATIONSHIP AND DESCRIBES ALTERNATIVE MAINSTREAM KINKS.

THIS PROJECT WOULD PROVIDE A SAFE SPACE FOR EDUCATION AND IGNITE SEX POSITIVE DISCUSSIONS. AS WELL AS TO EMPHASISE THE COMBINING OF SPECIFIC OBJECTS WHICH ARE USED IN FETISH PLAY. WITH THE INTENTION OF DISMANTLING KINK ASSOCIATED STIGMAS AND OVERALL CREATING A SEX POSITIVE ATMOSPHERE.

GICLÉE PRINT ON 260GSM SATIN PAPER.

40 X 40CM.

HYDRAZINE. 2022.

SHEET STEEL, 5MM WELDED STEEL CHAIN, GALVANISED CHAIN PLATES, BRASS SCREWS, 3D PRINTED RESIN, 5MM STEEL QUICK LINKS, D SHACKLES.

151 X 180CM

UNTITLED SERIES. 2024.

GICLÉE PRINT ON 260GSM SATIN PAPER.

59 X 84CM

GIMP X MILK. 2024.

GICLÉE PRINT ON 260GSM SATIN PAPER.

59 X 84CM

PBRICK.2021.

TINFOIL, HOUSE BRICK, TEARS, ACRYLIC PAINT.

NOTITLED. 2021.

PLEATHER, POLYMER FILLING, BODY.

65 X 30 X 20CM

'🤏' 2022.

PVC FABRIC, POLYESTER STUFFING, 8MM HEMP ROPE, STAINLESS STEEL O RING, ZIP, COTTON THREAD, BLACK POWDER COATED RING PLATE.

ADRIFT. 2021.

OIL ON CANVAS.

40 X 40CM

SYMBIOTIC SAPONIFICATION TIMES POINT FIVE. 2021.

SAPONIFIED OILS, CHILI FLAKES, CHILI POWDER, ACTIVATED CHARCOAL, WOOD, COMPOST, STEEL.

61 X 76 X 30CM

UNTITLED. 2020.

LEATHER, BALLPOINT PEN, REFLECTIVE TAPE, HOLOGRAPHIC FOIL, PAPER TAPE ON PAPER.

30 X 42CM

BATTLE. 2021.

GICLÉE PRINT ON 260GSM SATIN PAPER.

100 X 194CM

 STAHL NYMPHE. 2023.

GLICLEE PRINT, STEEL.

40 X 40 X 150CM

FELSEN. 2023.

CONCRETE, PLASTER, STEEL, PLASTIC CAP, GLASS, VINYL, HOLOGRAPHIC GLITTER, CLING FILM, DUCT TAPE.

8 X 7 X 13CM

ROCKS. 2022.

INKJET PRINTED COPY PAPER, TAPE, FOUND CONCRETE, SPRAY PAINT.

300 X 300CM

PÖRTA. [PUBLICATION] 2022.

EXPLORING A VISUAL MANIFESTO OF THE TRUE SELF IN RELATION TO PLUTOPIA. WHERE PHYSICAL, DIGITAL, AND MENTAL INTERSECT. WHERE THE CURRENT AND POTENTIAL SELF COLLIDE TO FORM THE TRUE SELF.

ACCESS TO A DIGITAL QR CODE READER IS RECOMMENDED.

SOFTCOVER 6×8 IN, 15×21 CM  # OF PAGES: 32.

ISBN N.A.